Senin, 31 Maret 2014

The Korean on Monsters of Talk with Margaret Cho

The Korean appeared on Monsters of Talk, a podcast hosted by the one and only Margaret Cho. Have a listen here:


The conversation went all over the place, but thanks to Margaret and co-host Jim Short, it is entertaining throughout. We covered Korean food choking hazard, fan death, K-pop and diapers during the 2002 World Cup, among other things.

The Korean was particularly happy that he was able to ask Margaret a question about her that he has had for a long time. Despite being a trailblazer for Asian Americans in the media, both Korean Americans and Koreans in Korea treated Cho like dirt. How did she feel about that? Did she feel that those communities' approval was important? You can catch that part around the 48 minute mark of the podcast.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Jumat, 28 Maret 2014

Against Hashtag Warriors

For those of you who were lucky enough to miss the shitstorm in Twitter in the last two days, here is some background:

On Wednesday night, Stephen Colbert was speaking of Washington Redskins owner Dan Snyder, who responded to those who criticized the name "Redskins" as a racial slur by founding a non-profit organization called Original Americans Foundation. Then a 2005 episode of the show replayed, in which Colbert, in character as a satirical conservative talk-show blowhard, was "caught" making racist jokes about Asians. After the callback, Colbert, in character, said he would atone for his racism by establishing the "Ching Chong Ding Dong Foundation for Sensitivity to Orientals or Whatever."

The butt of the joke here is very clear: it is Dan Snyder. Snyder thinks founding a non-profit organization would let him continue having a racial slur in his team's name. To mock Snyder, Colbert assumed the same posture as Snyder, only in a more ridiculous way so as to make Snyder's folly more obvious.

After the show, the official Colbert Report Twitter account repeated the joke on a tweet: "I am willing to show #Asian community I care by introducing the Ching-Chong Ding-Dong Foundation for Sensitivity to Orientals or Whatever." Then came the outrage. Suey Park, who recently rose to prominence due to a series of Twitter hashtag campaigns, most notably #NotYourAsianAmericanSidekick, began yet another hashtag campaign: #CancelColbert.

I believe Ms. Park's efforts are dumb and damaging. Here is why.

*             *             *

Previously in this space, I shared a story of his friend from Louisiana:
"The father of my ex-girlfriend was a rare breed -- a real deal racist. I'm not talking about someone who has a lapse in judgment and says the wrong thing from time to time. He genuinely believed that black people were inferior to white people. But whenever a black person happened to cross him, he would never yell, "you damn n-----!" Instead, he would yell: "You damn Democrat!" That way, nobody would accuse him of being racist."
This anecdote is interesting because it reveals the true nature of racism. Racism does not reside in the words; it resides in the mind that utter the words. Regardless of the precise word uttered--either "n-----" or "Democrat"--the man described in the Korean's friend's story remains just as virulently racist in his heart. Using the word "Democrat" instead of "n-----" does not mitigate the racist man's sincerely held belief that African Americans were inferior to whites. This shows the vacuity of what I call the "magic word racism," which may be defined as an attempt to detect racism by the presence or absence of certain words or phrases. 

If we cannot rely on the presence or absence of words alone, how are we to know what makes something racist? Recall where racism truly lies: it is in the person's mind, her intent. What makes something racist? It is the racist intent that makes something racist. For the man in the story above, the words "n-----" and "Democrat" serve the same function: to express his racist disdain toward African Americans. The precise vehicle by which the man delivered the racist intent does not matter. What matters is the intent delivered in those vehicles.

(More after the jump.)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.


By this measure, was Colbert's joke racist? The clear answer is no. From the way the joke is structured, we can easily see that Colbert's intent is not racist. As discussed earlier, the target of the joke is obviously Redskins' owner Dan Snyder, and not Asian Americans. Colbert assumed the personality of a buffoon, and made him look more laughable by making the buffoon's racism more obvious. 

The best case one can make in favor of finding Colbert guilty of racism is to say that the post-show tweet lacked the context to let the audience know that a satire was being delivered. But this is not convincing. For Americans (and many non-Americans,) one has to live under a rock to not know that Stephen Colbert engages in a kind of method-acting, playing the role of a racist, arch-conservative pundit. The Colbert Report's twitter account is always in the same character. The fact that the joke was delivered via the Colbert Report's twitter account provided sufficient context to understand the intent behind the joke.

Let me make this clear: this is not a dismissive, hand-waving defense of a racist joke by re-labeling it as "satire." Just as much as magic word racism is fallacious, so is the magic word attempt to ward off charges of racism. This is a sincere analysis of the intent behind the joke, which is made plain from the way in which the joke was structured, packaged and delivered. Given the nature of racism, there is no other way to figure out what is truly racist, and what is not.

This brings us to the first reason why Ms. Park's hashtag warfare was dumb: she made charges of racism where there is none. Second reason why it was dumb: her call to action was wildly disproportionate to Colbert's (supposed) offense. Ms. Park did not call for apologies or retraction; she called for the cancellation of the entire show. Her call to action was untenable: she was advocating for extreme measures in response to no crime.

In fact, it appears that Ms. Park knew herself that her position was untenable. Appearing HuffPost Live, Ms. Park first received this question: "Why cancel Colbert? What did you hope to achieve with that?” Ms. Park's response? Characterizing it as "a loaded question." But how is that question loaded? Ms. Park was the one who began the campaign to cancel the Colbert Report. It is eminently fair to be asked why she wanted to do that, and what she hoped to achieve with that. Ms. Park evaded those questions, because answering them directly would make her look foolish.

Here is a thing about making an outrageous claim: they bring about outrageous reactions. HuffPost Live host Josh Zepps reacted to Ms. Park with condescension, calling her opinion "stupid." (True to form, Ms. Park started another hashtag campaign, #CancelZepps.) Ms. Park also received a heap of severely negative reactions, many of which included legitimate racism against Ms. Park. Ms. Park, in turn, used those reaction as prima facie evidence that Colbert's joke was racist. In her submission to the Time magazine, titled We Want to #CancelColbert, Ms. Park asks: "But if the joke isn’t actually racist, then why have so many racist slurs been hurled at those of us promoting #CancelColbert?"

Simple answer: it's the Internet. The Korean regularly receives death threats because he strongly defends Koreans' consumption of dog meat, from those who supposedly love all living things. Be visible long enough on the Internet, and one is virtually guaranteed to run into crazies and knuckleheads. This maxim cannot possibly be lost on Ms. Park. But she must retreat to this line of argument, because there is no plausible way for her to address the substance of the joke and find racism there. 

Rather than staying in her retreat, however, she doubles down later in her article: "If the only people who 'get' your satire are racists--might we suggest some soul searching on your end?"

This is nuts. It is most certainly not just racists who "got" Colbert's satire. Here are just some of the people who understood Colbert's joke the first time, and disagreed with Ms. Park's position:
Steven Yeun (actor, Walking Dead)
Alex Hwang (musician, Run River North)
Jeff Yang (journalist, Wall Street Journal)
Jay Caspian Kang (sports writer, ESPN/Grantland)
Danny Chun (executive producer, The Office)
Phil Yu (blogger, Angry Asian Man)
The list reads like who's who of Asian Americans in media and pop culture. You can also visit my Facebook page, in which numerous Asian Americans (who have lower profiles than those above) are expressing the same sentiment. Does Ms. Park seriously think that they are all racists also? If she does, Ms. Park's issue runs deeper than the inability to understand satire; she is unable to (or unwilling to) take an accurate stock of the Asian Americana, the community that she claims to represent through her hashtag campaigns. She is a false prophet of what Asian Americans are supposed to feel about what they see in the media. In doing so, Suey Park does the opposite of her stated goal of creating Asian American solidarity. 

This is what happens when one picks a dumb battle to fight. Setting aside all the shit that Asian Americans take in the media (not to mention the shit that Native Americans are currently taking from Dan Snyder's team,) Suey Park chose this, a non-issue. Please, do not compare this hashtag campaign to other media-related campaigns against, for example, the racist fake names of the crashed Asiana flight or the outpour of racism following Nina Davuluri's crowning of Miss America. Run the "racist intent" analysis one more time for each of those cases. They were motivated by an actual racist intent, which makes them racist beyond any doubt. Those battles were worth fighting; this one was not. By getting into an unworthy battle, Suey Park debased worthy battles against true racism by making a mockery out of the entire effort. It was a dumb thing to do.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Selasa, 25 Maret 2014

NK News Pro: Special Discount for AAK! Readers

Ask a Korean! was itself inspired by the inimitable Ask a Mexican! by Gustavo Arellano, but this blog has inspired many other "Ask" blogs as well. Personally, the Korean's favorite child of Ask a Korean! is Ask a North Korean! by NK News, in which the readers can get a real sense of the life in North Korea from an actual North Korean person. The Korean hopes to steer as many readers as possible to this worthy project.

So it gives him a great pleasure for the Korean to introduce a special discount for NK News Pro. For AAK! readers, NK News is offering a 33 percent discount for their Pro service, which gives you probably the most detailed North Korea-related news that one can find in the English-speaking Internet. You can sign up via this link. Happy reading!

Got a question or a comment for the Korean? Email away at askakorean@gmail.com

Minggu, 23 Maret 2014

SXSW Final Notes: The Thank You Cards

A round of gratitude for everyone who made the Korean's trip to SXSW such a wonderful experience:

- To the Korean Wife for supporting her husband's crazy adventure;

- To every artist who took the time out of their incredibly hectic schedule to be interviewed;

- To Shawn D., who made most of the interviews possible and kept me apprised of everything I needed to see at SXSW;

- To Robert J., Vivian Y., Douglas H. and all other support staff who arranged things together;

- To ATK Magazine's Cindy Z., an excellent road trip companion to San Antonio.

- To reader Christine S., who, in the act of unbelievable generosity, sponsored the Korean's SXSW badge. Extra, extra thank you.

- Finally to TC, my wonderful travel companion for SXSW. 

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

SXSW Leftover Notes: The Artists

- It is a crying shame that Idiotape and Glen Check ran into visa issues, and could not play in more offsite venues. Those two bands have the most translatable music in the U.S. market.

- Personally, I feel that Glen Check has the most superstar potential. They already carry themselves like superstars: confident and charismatic.

- I really want Hollow Jan to succeed. Speaking with Hollow Jan was an intense experience, as if speaking with a slow-burning, red-hot pile of coal. Though their music is not mainstream, most people are sold when they see Hollow Jan perform live.

- Jambinai may end up being more successful outside of Korea than within it.

- Right after YB's show someone threw (new) panties and bra on the stage.

- No matter who you are and where you are from, it is impossible to not like Crying Nut playing live. Never doubt Crying Nut's ability to deliver a great show.

- Same is true for No Brain. Korea's two oldest punk rock bands got that way by being incredibly excellent. I was one of the fans who became disaffected of No Brain after its guitarist Cha Cha left in 2002. But seeing them live, all was forgiven.

- Big Phony is the gentlest, more genuine person in the world. Contrary to his songs, girls must be throwing themselves at him. If they are not, something is wrong with the world.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

SXSW Leftover Notes: The Venues

With Day 6, the Korean's SXSW adventure was over. But there is plenty that he never got around to talk about. So here is a series of thought-dumps that never made to the regular posts. First in the series: thoughts on various venues around Austin, for future gig-workers who are looking to glean more information about the venues. Please note that I have only been to most of these venues only once, and my experience is necessarily limited that way. Please use this information appropriately, knowing that.

Favorites

Elysium:  Venue for K-Pop Night Out and Japan Nite. Located slightly off of the overexposed Sixth Street, Elysium is great for a large-ish show. The space can appear a bit grungy, but it actually suits the rock crowd better. The stage is large, and the space is nicely divided into a "concert area" and a "concession area," allowing the audience to take a break from the show and get a drink from the bar without fighting the crowd too much. 

Buffalo Billiards:  Venue for YB's showcase. Located on Sixth Street. Large space with large stage. Clean and well-lit, which can be both positive and negative. Good place to sit down at the bar to watch the show, but that could mean that at a bigger show, one may have to fight the concert-watchers to get a drink.

Stephen F's Bar:  Venue for Big Phony's showcase. Located on Congress Street. Hotel bar for the Intercontinental. Exactly what you would expect from a bar for a four-star hotel: reserved, classy, intimate, with comfortable seats. Ideal for soft music.

Good Ones

Icenhauer:  Venue for Seoulsonic. Located on Rainey Street, which is apparently a hip, gentrified area of Austin. Outdoor space that is on the smaller side. Chic, but the drinks are a little expensive.

Spider House:  Venue for Jambinai's showcase.  Located north of University of Texas. Small space in a pleasant outdoor patio. Great atmosphere, great crowd, very cheap beer, good snacks. The location is somewhat far from downtown.

Tiniest Bar in Texas:  Venue for Love X Stereo's showcase. Located west of downtown. Small but chic outdoor patio with good beer and good snacks. Excellent and relaxed atmosphere. Plenty of parking nearby.

Thumbs Down

Lit Lounge:  Venue for Hollow Jan's showcase. Located on Sixth Street. Small space with stages on upstairs and downstairs, and the sound from one travels to the other. 

Dog & Duck Pub:  Venue for Crying Nut's showcase. Located just south of University of Texas. Huge venue that is a parking lot covered with a tent. Scary redneck crowd.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.

Sabtu, 22 Maret 2014

SXSW Day 6 Notes: Day Trip to San Antonio

SXSW was drawing to a close on Sunday. Rather than seeing the last few showcases, I decide to follow the five Korean bands' show at San Antonio, a 1.5-hour drive from Austin.

After picking up my travel mates, we first head over to Salt Lick barbecue, considered one of the best barbecues in Texas. Salt Lick was located about an hour away from Austin, at a town called Driftwood, Texas. I could hardly think of a more appropriate name for a Texas town with fine barbecue. We get there just in time to beat the massive lunch crowd.


The verdict? It was a phenomenal barbecue, but Franklin barbecue was a little bit better. Salt Lick's side dishes were better than Franklin's, but really, do you go to a barbecue place to eat side dishes?

(More after the jump)

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.


We get to San Antonio. Right away, we head to the Alamo and the Riverwalk. The heart of San Antonio is gorgeous. I had expected much worse from the Riverwalk, as the canals of Venice are filled raw sewage. On the contrary, the Riverwalk was beautiful and clean, with a nice atmosphere surrounding it.

But the mood quickly darkened once we got to the venue. The venue itself was neat: it was a grungy, warehouse-looking joint with old school video games and good beer, appropriate for a small rock concert. Problem was that the venue had nothing around it. Worse, there was no one around it. No passing cars, no foot traffic, no open business. We try to find a place to have dinner, but could not find an open restaurant until we drove back to the Riverwalk area. It dawns on me that San Antonio is like Baltimore with less crime: a beautiful core and desolation outside of it. I recall a promoter telling me that Korean bands have not tried anything like this (i.e. putting on a multi-act showcase in a mid-sized city) before. And it was going to be a five-hour concert on Sunday night. My mood becomes grim and desperate.

Fortunately, people did gather: the crowd eventually grew to around 40 people. I recognize a number of them from the SXSW showcases; I can't decide if that is a good thing or a bad thing. Regardless, the five Korean bands--Jambinai, Love X Stereo, Smacksoft, Big Phony and Crying Nut--put on a great show. Since I have written about all of them at least once before, I will give just the highlights:
- Bo from Smacksoft announced to the crowd:  "I learned how to do twerking last night." 
- Big Phony was ill, but still sounded great. Somehow, that made him more endearing to the women in the crowd. At one point, all the women in the bar were right up on the stage, while all the men were hanging back. 
- Before Crying Nut came on, I speak with one young woman who said Crying Nut was not her style. I tell her: "Just watch them." In the middle of Crying Nut's performance, she charges the stage. The lesson: never doubt Crying Nut.
The crowd stayed strong all the way until the end of the show, which was well after midnight. It was past 2 a.m. by the time I returned to my hotel room in Austin. The end of my SXSW adventure.

Got a question or a comment for the Korean? Email away at askakorean@gmail.com.